In 1973, T. REX, led by Marc Bolan, was in the midst of its heyday, with both the single “20th Century Boy” and the album “TANX” climbing the hit charts. The master of “Waz From Oz”, who conveys the glorious scene, has made a shocking new discovery. This work is engraved with the “Adelaide performance on November 6, 1973”. It is the first public audience recording. Speaking of 1973, it is a time when the final visit to Japan was realized and is remembered. First of all, let’s take a bird’s-eye view of their activities and check the position of this work.February 14-25: Europe #1 (6 performances) {March 2: Single “20th Century Boy” released} March 16-24: Europe #2 (3 performances) {March 16: “TANX” released} July 20-September 1: North America #1 (16 performances) September 28 + October 4: North America #2 (2 performances) October 25-31: Japan (5 performances) BUDOKAN 1973 November 3-10: Australia (5 performances) Here This is T. REX in 1973. In October, they came to Japan for the second time, and immediately after that, they also went on their first Australian tour. The Adelaide performance of this work is the third performance in “Australia”. The famous Japanese performance album “BUDOKAN 1973” has become a big staple, but this concert was held about two weeks later (seven performances later). It was “Waz From Oz” that was recorded at that show. This work is the first live album transferred directly from the original master. And this work, which the world touches for the first time, is a real sound that allows you to feel the atmosphere of half a century ago with your skin. It is not like a soundboard, but a vintage audience, but it is extremely clear and sharp. There should be no dubbing marks only from the original master, and the clear and transparent atmosphere is refreshing. The core that penetrates the center has a sharp edge, cuts through the atmosphere, and jumps into your hands with a crisp look. And above all, the feeling of “being there” is wonderful. There are no close cheers (almost none), but the clapping with a sense of consistency is just like a Japanese performance, and it is firmly synchronized with the rhythm section. And what’s interesting is the yellow screams, which are a testament to their popularity. Between songs, they erupt like a geyser, but if you listen carefully during the performance, you can hear screams swirling in a whisper-like balance far away. The heat heats up T. REX’s tension, and the passionate performance incites loud cheers. While the performance is clear and crisp, the sympathy of the audience who met T. REX for the first time erupts from the speakers. This work also has a delicious “Hot Love” that cannot be heard in “BUDOKAN 1973”, but the mood that envelops the full show and the gushing heat are what pierce my heart more than the rarity of such songs. It was their first landing on the Australian continent, and they never returned. This is a new excavation master who will be unveiling such a historic site to the world for the first time. The “Waz From Oz” collection has been a succession of masterpieces and shocking works, but I never expected that T. REX’s historical masterpiece would come out. This live album is nothing but a cultural heritage without any exaggeration. The first public audience recording of the “Adelaide performance on November 6, 1973”. This is a masterpiece among masterpieces, digitized directly from the original master by “Waz From Oz”, and it is a real sound that allows you to feel the atmosphere of half a century ago with your skin. The clear and transparent air is refreshing, and the core that penetrates the center is sharp and ferociously clear and sharp. If you listen carefully, you can hear the swirling voices with a balance that seems to whisper far away, and it is a cultural heritage album that allows you to experience the heat of the popularity at its peak in real life. Apollo Stadium, Adelaide, Australia 6th November 1973 TRULY PERFECT SOUND(from Original Masters) (68:47) 01. Tuning Up & Marc Bolan Intro 02. 20th Century Boy 03. Chariot Choogle 04. Telegram Sam 05. Buick McKane / Drum Solo 06. Jeepster 07. Hot Love 08. Get It On Marc Bolan – Guitar, Vocal Green – Guitar Mickey Finn – Percussion, Vocal Steve Currie – Bass Bill Legend – Drums