Reverberations (Travelling In Time) is the debut Primal Scream album that never was: 16 perfectly formed pop nuggets weighing in at just under 35 minutes. Boasting eleven previously unreleased BBC session recordings plus all five songs from the bands first two Creation Records singles, Reverberations (Travelling In Time) perfectly captures what many believe to be a crucial era for one of the UKs most important groups as they went on to influence a wave of emerging bands, most notably The Stone Roses. Its a collection which provides a snapshot of the youthful innocence and uninhibited passion that characterised their early two-minute indie-pop adventures. Bobby Gillespie says, This music proves we really had something special going on back then. I\’m very proud of this album, I\’m glad these sessions are finally being released. Reverberations (Travelling In Time) will be available on limited edition black or clear vinyl, as well as a special gatefold CD edition. Physical formats of the album include a wealth of unseen period photography plus essays by band members Bobby Gillespie and Jim Beattie as well as music historian Bob Stanley. The cover illustration was provided by renowned British illustrator and designer Julie Verhoeven, and each vinyl LP comes in a lavish gatefold sleeve with printed inner sleeve and a large format 8-page booklet. A recap of the bands early years provides the context within which the songs on Reverberation were written and recorded. Primal Scream were formed in Glasgow during the early 1980s by Bobby Gillespie and Jim Beattie, two music obsessed kids from Mount Florida on the southeastern edges of the city. Initially inspired by punk rock and yet to learn how to play their guitars properly, early Scream home recordings were primitive affairs that often-featured Gillespie shouting into the microphone over droning basslines whilst banging on household objects that came to hand. By 1983 the band were developing a sound and writing style of their own with Beattie playing an amplified acoustic 12-string on songs inspired by the duo\’s eclectic music tastes that ranged from PiL through Love, Big Star and The Byrds via the Ramones – beautiful melodies delivered with attitude and intent. The duo became a fully formed band during 1984 with the addition of Robert Young on bass and Tom McGurk on drums, by which time Gillespie had been invited to drum – Mo Tucker style – for East Kilbride pals The Jesus and Mary Chain. The debut Mary Chain single Upside Down – released on Alan McGees fledgling Creation Records in November 1984 – caused an overnight sensation upon release and placed Gillespie at the centre of a new and exciting sea change in the UKs independent scene. The debut Primal Scream single It Happens (backed with All Fall Down) was hastily recorded at Alaska Studios, London in February 1985 but following its release on Creation in May it caught the attention of John Peel at BBC Radio 1 who invited the band for their first session on his show. Four new songs – heard here for the first time since being initially broadcast – indicated that the band were capable songwriters with a melancholic edge and self assured swagger. Early Primal Scream shows were special events. The band, now augmented by tambourine player Martin St. John, were one of the most exciting and original prospects in the UK at the time. As Bob Stanley describes in this albums sleeve notes, They looked like a gang. More precisely, they looked like a Glaswegian variant of Love, a bunch of hard-nuts playing soft sounds laced with something potentially explosive. In May 1986 the NME offered the now legendary C86 cassette to its readers offering recordings that the magazine felt captured the zeitgeist of the UK indie scene at the time. The opening track – and by far the best thing on the tape – was Primal Screams Velocity Girl, a new recording that featured as a B-side on the groups second single Crystal Crescent. Velocity Girl sparked an even greater interest in the band including a second John Peel session and four songs recorded for the Janice Long show. Whilst fans eagerly awaited an LP of Primal Scream material, Alan McGee was being courted by major labels who had seen the impact of The Jesus and Mary Chain and were keen to cherry-pick the best candidates from the Creation roster for stardom. The two unlucky groups chosen for McGees ill-fated Warner Brothers experiment – Elevation – were Primal Scream and The Weather Prophets. Delays in signing the deal and recording what would become the the bands October 87 debut Sonic Flower Groove meant that a crucial part of the Primal Scream story had been overlooked – until now. Released on Primal Screams own Young Tiki label, Reverberations is the first in a series of limited edition releases that will explore rare and unreleased archive material. The bands Sonic Flower Groove album – including unreleased recordings and remixed masters – is set for release in 2024. Tracks: 1. Imperial 2. Velocity Girl 3. Feverclaw 4. Silent Spring 5. I Love You 6. Tomorrow Ends Today 7. Bewitched And Bewildered 8. Crystal Crescent 9. Subterranean 10. Leaves 11. Aftermath 12. All Fall Down 13. It Happens 14. Crystal Crescent 15. Velocity Girl 16. Spirea X