Oasis’s first live tour in 1995, the American tour, falls into the period of their career, the “late stage of their early years.” The first American tour held in the fall of the previous year ended up being baptized in the country, and the tour was forced to end due to Noel’s disappearance, as was clearly depicted in the movie “SUPERSONIC”. Therefore, when I visited again in early 1995, I had to add the previous year’s otoshimae. Speaking of the sound source of this time, the radio broadcast in Vancouver at the end of January that captured the early stages of the American tour continues to reign as an extremely popular presence, but its presence is so large that it is difficult to make other performances available as a record. It will not be. Even during Oasis’ real-time activity period, only a few audience recordings were released, and the sound quality was not that great. However, after Oasis disbanded, it was completely overlooked, and for better or worse, I think it was only maniacs who had only heard of it in Vancouver. The February 11th Dallas performance to be released this time will not only be the first new sound source released in a long time since the first American tour in 1995, but above all, the sound quality is outstanding. The closeness of the sound image is such a strong sound pressure that it can be described as “just like a sound board”, and if it had been released in 1995, there is no doubt that it would have been completely mistaken as a sound board. At that time, Oasis was still popular in America, and what’s more, the stage they traveled to the southern part of the United States like Dallas was left with such superb sound quality. This Dallas performance, its splendor is not only limited to the sound quality. The fact that the performance is very intense is also a big attraction. After all, I finished the last trip to America with incomplete combustion and never made it to Dallas. However, because they were once baptized as American, the appearance of Oasis challenging the stage in a very challenging manner to the audience is clearly recorded. In its home country of England, it feels like its popularity has reached the next level with the release of “Whatever” at the end of the previous year, but in the United States it still hasn’t caught on. That’s why the Gallagher brothers are so defiantly excited and full of energy that says, “This time, we’re going to captivate America.” On the contrary, in “Bring It On Down” and “Married With Children”, they were distracted by the audience and skipped the songs, and were just unrestrained. To begin with, Liam’s voice is very youthful, and you can see that his singing voice was still in the previous year’s mode at this point. This is the height of aggressiveness. Liam’s excitement reaches its peak with “Headshrinker,” a rare number from this period. It’s still fresh in my memory that he sang for the first time in a long while during a live stream on the River Thames the other day, and here Liam’s engine was at full throttle and his voice came out in a funny way. What’s more, it’s so thrilling that he shouts “punk rock song!” in the intro. There was something wonderful about the passionate singing on the Thames River, but young Liam’s unrestrained shout is still the strongest. You can also reaffirm that original drummer Tony McCarroll is playing his best on this song. On the other hand, his older brother Noel is also filled with the spirit of revenge based on the incident from the previous year, and is as excited as Liam. Since the stage is set in the southern part of the United States, they seem to be distracted by the presence of cowboys at the venue. Moreover, he used a number of words that were prohibited from being broadcast (this also applies to Liam). In the end, before starting to play “Up In The Sky,” he blurts out, “The next song is… Home On Range,” and the excitement is high and there’s plenty of room. Even in the United States in 1995, after the release of “MORNING GLORY”, it suddenly became more dignified, so Dallas, who was able to capture the atmosphere of this tour, which continued the atmosphere of the previous year, with excellent sound quality, listened to sound sources other than Vancouver. This is a shocking new sound source that will be enjoyed by a wide range of people, from beginners to enthusiasts. It is also wonderful that Liam’s singing voice, which is in great condition, is captured with a very good balance. Its Good To Be Free is also a repertoire unique to this period, and at the same time, Liams voice comes out so much here that it gives you goosebumps. I never thought that such an excellent sound source had been hidden until now. Enjoy the rare period before entering the MORNING GLORY period with the best sound quality! Deep Ellum Live, Dallas, TX, USA 11th February 1995 TRULY PERFECT SOUND (76:00) 1. Rock ‘n’ Roll Star 2. Columbia 3. Fade Away 4. Digsy’s Dinner 5. Shakermaker 6. Live Forever 7. Headshrinker 8 . Up In The Sky 9. Bring It On Down 10. Slide Away 11. (It’s Good) To Be Free 12. Cigarettes & Alcohol 13. Married With Children 14. Supersonic 15. I Am The Walrus Liam Gallagher – lead vocals, tambourine Noel Gallagher – lead guitar, vocals Paul Arthurs – rhythm guitar Paul McGuigan – bass Tony McCarroll – drums