Mr. Stephane’s original master collection is enjoyed by HR/HM collectors around the world. Two IRON MAIDEN editions will be released at the same time. The first release is the new masterpiece “DEFINITIVE PARIS 1993”, and this work is its sister work. This is the best audience recording of April 20, 1993 Saarbrcken Performance. [Sister work born from the popular recording artist collection] Speaking of REAL LIVE Tour, it has been a place where the audience was sparse for a long time due to the abundance of official live works, but recently it has been reevaluated. We have also reported on this masterpiece at our store. We will leave the outline of the tour itself to DEFINITIVE PARIS 1993, but here we will organize the collection by more detailed dates.March 25th April 9th (8 performances) *April 10th DEFINITIVE PARIS 1993 *April 11th BERLIN 1993 THE VIDEO April 13th 19th (5 performances) *April 20th: Saarbrcken performance CocoApril 21st: Augsburg performance *April 23rd GOTHENBURG 1993April 25th May 9th (12 performances)May 11th A REAL LIVE ONE releasedMay 11th – June 4th (14 performances)Dickinson leaves Temporary reunion *August 27th + 28th: London (2 performances) *Official RAISING HELLDickinson leavesOctober A REAL DEAD ONE released on the 18thLIVE AT DONINGTON released on November 8th *Note: * marks are stages with our collection. This is IRON MAIDEN in 1993. The same recording artist’s sister work DEFINITIVE PARIS 1993 was the 9th performance at the beginning, but the Saarbrcken performance of this work was the 16th performance. There were 46 performances in total, so this was about 1/3 of the total. This work recorded at such a show is the best audience that is currently a hot topic. It has been transferred directly from the original DAT by “Stephane”, which I mentioned at the beginning, and this person is a popular recording artist who is active mainly in France/Germany. They have released masterpieces one after another, such as BLACK SABBATH’s “DEFINITIVE PARIS 1992” and “WINTERTHUR 1992”, which were recently released and received great acclaim, and JUDAS PRIEST’s “PARIS 1988” and “STUTTGART 1991”. The two works released this time are the latest edition of the Maiden edition. Because the sister work DEFINITIVE PARIS 1993 is a legendary recording, this one missed permanent preservation, but this work has never lost. While the sound of the hall gives the impression of an audience recording, it does not create a sense of distance, and gives a glossy and metallic luster to the core, which has a direct feel. If you compare it to Japanese recording, it is a vivid recording that combines the beauty of the prestigious Kinney with the strength of the core. [True record of the infamous “sloppy blues”] A full show that is similar to “DEFINITIVE PARIS 1993” but with such exquisite sound. The difference lies in both the set and the performance, but let’s start by comparing the set. Before Resurrection (10 songs)Steel Maiden: Prowler/Transylvania/Remember Tomorrow/Iron Maiden/SanctuaryMagic Mark: The Number Of The Beast/Run To The Hills/Hallowed Be Thy NameBrain Reform: The TrooperPowerslave: 2 Minutes To Midnight () After Resurrection (10 songs)Somewhere in Time: Wasted Years/Heaven Can WaitSeventh Prophecy: The Evil That Men Do/The Clarivoyant NoPlayer for the Dying: Bring Your Daughter… To The Slaughter Fear of the Dark: Be Quick Or Be Dead/From Here To Eternity/Wasting Love ()/Afraid To Shoot Strangers/Fear Of The Dark *Note: Songs marked with cannot be heard on the sister album DEFINITIVE PARIS 1993. …and it looks like this. Simply put, Where Eagles Dare dropped and 2 Minutes To Midnight returned. This is the same set as “GOTHENBURG 1993 (Shades 1327)” released three days later. Even more different than the set is the performance itself. The instrumentalists are as strong (or even better) as usual, but Bruce Dickinson is lackluster. From the opening song, Be Quick or Be Dead, the song starts to feel a little rushed, and by the second song, The Number of the Beast, the song breaks down. Up until this point, I would have thought, “Equipment trouble?”, but after that, “Remember Tomorrow” had no energy, and the improvised singing in “2 Minutes To Midnight” and “Wasting Love” felt strange, and “The Evil That” In “Men Do,” he sounds like he’s babbling. Perhaps this is the famous sloppy show just before withdrawal that is famous in history. During the “REAL LIVE Tour,” Bruce, who had already decided to leave the group, couldn’t get motivated and wasn’t in the mood. Nico and Steve were furious about this, saying, “It’s unprofessional!” At DEFINITIVE PARIS 1993, the 9th performance of the tour, I felt motivated and enthusiastic, but in this work 10 days later, the passion rapidly decreased. A show that proves historical anecdotes is unfolding. In contrast to “DEFINITIVE PARIS 1993”, which was worthy of the title of “tour masterpiece” in terms of show content, it is a sister work of the same recording artist’s collection, where the sound is good but the show is subtle. Blues was at his best at shows that involved filming and recording, so it was difficult to get a feel for the reality of “cutting corners” shows. This is a live album where you can fully experience it with the finest sound that is vivid down to the subtleties. In a sense, it is a masterpiece that is more rewarding to listen to than a masterpiece. The best audience recording of “April 20, 1993 Saarbrcken Performance”. This is a masterpiece directly transferred from the original DAT by Stephane, who has become a hot topic for his masterpieces by Sabbath and Priest, and has a superb sound that rivals its sister work DEFINITIVE PARIS 1993. The sound of the hall does not give a sense of distance, and the core has a direct feel and has a glossy and metallic luster. However, the content is the infamous “Blues show”, with songs such as the cutting-edge “The Number of the Beast”, the lackluster “2 Minutes To Midnight”, and “The Evil That Men Do”, which are interesting precisely because they are lackluster. You can experience the show to its fullest. Saarlandhalle, Saarbrucken, Germany 20th April 1993 TRULY PERFECT SOUND Disc 1 (54:57) 1. Intro 2. Be Quick or Be Dead 3. The Number of the Beast 4. Prowler 5. Transylvania 6. Remember Tomorrow 7. 2 Minutes To Midnight 8. From Here to Eternity 9. Wasting Love 10. Bring Your Daughter…to the Slaughter 11. Wasted Years 12. The Evil That Men Do Disc 2 (53:50) 1. MC 2. Afraid to Shoot Strangers 3 . Fear of the Dark 4. The Clarivoyant 5. Heaven Can Wait 6. Run to the Hills 7. Iron Maiden 8. Hallowed Be Thy Name 9. The Trooper 10. Sanctuary